In The Studio
2023I react to that building [on the canvas] by adding or subtracting visual cues. I strive for new gestalts of design preferences, as those intuitively guide the growth of the architect.
There is now an overt utility to my creative enterprises - renovation. Elizabeth and I are transforming an early 20th century church into a studio / gallery for supporting artists' residencies.
We are working from the ground level [concrete lower level] on up to the roof [wood / Metal].
“Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality...Buildings were judged - at least by members of our own profession - more by the way they looked in magazines than by the satisfaction people felt when using them."
Some days it's hard to emotionally commit to picking up the camera, knowing such a labor regularly develops an unassuming barrage of connections and discords.
“The picture-story involves a joint operation of the brain, the eye and the heart. The objective of this joint operation is to depict the content of some event which is in the process of unfolding, and to communicate impressions. Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses – for the world is movement, and you cannot be stationary in your attitude toward something that is moving."
I react to that building [on the canvas] by adding or subtracting visual cues. I strive for new gestalts of design preferences, as those intuitively guide the growth of the architect.
I experiment with the narratives' enrapturing ideas, suggesting the world I [choose to] see is merely a reflction of my self.
It's a breeding ground of the paradox, enmeshed within synchronicity.
Call for Collaboration
Phone number : + 575.654.0531
Email : tylersbingham@gmail.com